Wangduechhoeling Palace

Hoffman’s longstanding connection with The Bhutan Foundation led to a new kind of project for the studio in 2019, when we were invited to create the graphic identity system for the Wangduechhoeling Palace, a cultural institution in Bhutan’s Bumthang Valley.

Developing the Palace’s identity involved extensive historical research and a close study of identity systems used by cultural museums worldwide. The logomark needed to evoke traditional Bhutanese artistic language while being reimagined for a contemporary, global audience. The final design draws from the ‘endless knot’ motif commonly found in Buddhist art and reflected in the Palace’s architectural details. Its form creates a ‘W’ icon, symbolizing both the Palace and the Wangchuck royal family. The mark is accompanied by the Palace’s name in both Latin script and Dzongkha, Bhutan’s official language. By leading with Dzongkha and syllabically dividing the name, the identity highlights the Palace’s cultural roots and helps guide pronunciation for visitors unfamiliar with the language.

The process of creating the wayfinding system necessitated understanding the ideal movement flow through the Palace grounds and placing signage at key points where descriptive information about specific structures or directional markers were needed. It also was essential that the signs be legible for both native Bhutanese and international visitors, so that every sign incorporates information written in both Dzongkha and English. An isometric visualization of the Palace grounds was designed to create a map that can efficiently assist visitors in moving throughout the property from any point.
Wangduechhoeling Palace Museum featured in TIME’s “World’s Greatest Places 2025” for its meticulous restoration and transformation into a cultural museum, preserving Bhutan’s royal heritage.